Tuesday 23 June 2020

The Seventh Seal and the Keys of the Abyss



The Angel Appearing to Zacharias, by William Blake


In a few days time from now, there is going to be yet another alignment of all seven of the classical planets known to the ancients, on 4th July, 2020, the American Day of Independence. In my book, Unveiling the Apocalypse: The Final Passover of the Church, I attempt to show how such the description of Christ holding the seven stars in right hand in order to symbolize the "keys to death and Hades" represents a series of planetary alignments connected to the timing of the period of the unbinding of Satan at the end of the "thousand years", when the gates of Hell are unleashed in an attempt to destroy the Church.



The Book of Revelation gives a number of signs concerning the opening of the Abyss at the end of the thousand years, which I attempt to show is connected with Pope Leo XIII's prophetic vision of the period of Satan's greater power. One of these signs is an angel descending to earth with the keys to open the shaft of the Abyss, from which emerges a demonic swarm of apocalyptic "locusts" - which I argue corresponds to the emergence of military aircraft at the beginning of the First World War:

The fifth angel sounded his trumpet, and I saw a star that had fallen from the sky to the earth. The star was given the key to the shaft of the Abyss. When he opened the Abyss, smoke rose from it like the smoke from a gigantic furnace. The sun and sky were darkened by the smoke from the Abyss. And out of the smoke locusts came down on the earth and were given power like that of scorpions of the earth. (Rev 9:1-3)

It is these same keys that are seen held in the right hand of Christ at the start of the Apocalypse, only here they are also identified with seven stars:

In his right hand he held seven stars, from his mouth came a sharp two-edged sword, and his face was like the sun shining in full strength. When I saw him, I fell at his feet as though dead. But he laid his right hand on me, saying, “Fear not, I am the first and the last, and the living one. I died, and behold I am alive forevermore, and I have the keys of Death and Hades. Write therefore the things that you have seen, those that are and those that are to take place after this. As for the mystery of the seven stars that you saw in my right hand, and the seven golden lampstands, the seven stars are the angels of the seven churches, and the seven lampstands are the seven churches.
(Rev 1:17-20)


The seven stars represent the seven lamps of the Jewish Menorah, which stood before the Holy of Holies in the Temple of Jerusalem, following the stipulations given in Exod 25:31-40. The seven candelabra of the Menorah are a distinctive feature, and notable for their perfect alignment. So if the seven stars held in the right hand of Jesus are to be equated with the seven angels of the seven churches, then it would logically follow that these stars in the hand of Christ are in perfect alignment - just like the seven lamps of the Menorah. Indeed the Menorah itself is highly reminiscent of an astronomical orrery depicting an alignment of the planets, and it was interpreted as such by several ancient writers, including Clement of Alexandria, who stated that:

The lamp, too, was placed to the south of the altar of incense; and by it were shown the motions of the seven planets, that perform their revolutions towards the south. For three branches rose on either side of the lamp, and lights on them; since also the sun, like the lamp, set in the midst of all the planets, dispenses with a kind of divine music the light to those above and to those below.
(Clement of Alexandria, Stromata 5:6)


St. Jude also mentioned the seven classical planets in relation to the chaining of unclean spirits, which he refers to as "wandering stars", made in the wider background context of the rebuke of Satan by the Archangel Michael:

...when the archangel Michael, contending with the devil, was disputing about the body of Moses, he did not presume to pronounce a blasphemous judgment, but said, “The Lord rebuke you.” But these people blaspheme all that they do not understand, and they are destroyed by all that they, like unreasoning animals, understand instinctively. Woe to them! For they walked in the way of Cain and abandoned themselves for the sake of gain to Balaam's error and perished in Korah's rebellion. These are hidden reefs at your love feasts, as they feast with you without fear, shepherds feeding themselves; waterless clouds, swept along by winds; fruitless trees in late autumn, twice dead, uprooted; wild waves of the sea, casting up the foam of their own shame; wandering stars, for whom the gloom of utter darkness has been reserved forever. It was also about these that Enoch, the seventh from Adam, prophesied, saying, “Behold, the Lord comes with ten thousands of his holy ones, to execute judgment on all and to convict all the ungodly of all their deeds of ungodliness that they have committed in such an ungodly way, and of all the harsh things that ungodly sinners have spoken against him.” (Jude 1:5-15)

So it is clear that an alignment of the seven classical planets is also involved in the interpretation of the prophecy of the "keys to the Abyss", which delineates the period of the unbinding of Satan at the end of the thousand years:

Then I saw an angel coming down from heaven, holding in his hand the key to the bottomless pit and a great chain. And he seized the dragon, that ancient serpent, who is the devil and Satan, and bound him for a thousand years, and threw him into the pit, and shut it and sealed it over him, so that he might not deceive the nations any longer, until the thousand years were ended. After that he must be released for a little while.
(Rev 20:1-3)


It is surely of no coincidence then that an alignment of the seven classical planets took place on 2nd-3rd December 1899, just six months after Pope Leo XIII's consecration of the world to the Sacred Heart of Jesus in June 1899, at the very cusp of the turn of the 20th century. The seven lampstands of the Jewish Menorah also figure prominently in another biblical vision which the prophecy of Pope Leo XIII is based on, when the Prophet Zachariah is shown the Jewish High Priest Joshua in stained garments, being accused by Satan in a manner virtually identical with the scene described by St. Jude concerning the "seven wandering stars":

Then he showed me Joshua the high priest standing before the angel of the Lord, and Satan standing at his right side to accuse him. The Lord said to Satan, “The Lord rebuke you, Satan! The Lord, who has chosen Jerusalem, rebuke you! Is not this man a burning stick snatched from the fire?”
Now Joshua was dressed in filthy clothes as he stood before the angel. The angel said to those who were standing before him, “Take off his filthy clothes.” Then he said to Joshua, “See, I have taken away your sin, and I will put fine garments on you.” Then I said, “Put a clean turban on his head.” So they put a clean turban on his head and clothed him, while the angel of the Lord stood by. 

(Zech 3:1-5)

The Jewish High Priest in this vision represents the figure of the pope as Pontifex Maximus, which explains why God chose to reveal this important prophecy to a reigning Roman Pontiff.  It is therefore important to note that this prophecy some way involves a charge that Satan levels against the holder of the papacy, who is similarly conferred with the keys of the kingdom of heaven as the Successor to St. Peter:

Jesus replied, “Blessed are you, Simon son of Jonah, for this was not revealed to you by flesh and blood, but by my Father in heaven. And I tell you that you are Peter, and on this rock I will build my church, and the gates of Hades will not overcome it. I will give you the keys of the kingdom of heaven; whatever you bind on earth will be bound in heaven, and whatever you loose on earth will be loosed in heaven.” (Matt 16:17-19)

It is surely yet again beyond coincidence that at the end of this period of Satan's greater power that the very indefectible nature of the papacy is being called into question, plunging the Church into one of the greatest crises it has ever faced. Yet, there appears to be a certain amount of hope in Zechariah's vision, in that the soiled garments worn by Jewish High Priest are removed and replaced with fresh clean linen, representing some kind of purification of the Church, in a vision which is strikingly similar to that of St. Hildegard of Bingen:

The image of the woman before the altar in front of the eyes of God that I saw earlier was now also shown to me again so that I could also see her from the navel down. From the navel to the groin she had various scaly spots. In her [genitalia] there appeared a monstorous and totally black head with fiery eyes, ears like the ears of a donkey, nostrils and mouth like those of a lion, gnashing with vast open mouth and sharpening its horrible iron teeth in a horrid manner.

From that head to the knees the image was white and red, bruised as with many a beating. From the knees to the two white transverse zones which crosswise seemed to touch the bottoms of the feet from above, the image appeared to be bloody. Lo, the monstrous head removed itself from its place with so great a crash that the entire image of the woman was shaken in all its members. Something like a a great mass of much dung was joined to the head; then, lifting itself upon a mountain, it attempted to ascend to the height of heaven. A stroke like thunder came suddenly and the head was repelled with such strength that it both fell from the mountain and gave up the ghost. After this a stinking cloud suddenly enveloped the whole mountain. The head was surrounded with such great filth in the cloud that the people standing by were struck with the greatest terror as the cloud stayed upon the mountain somewhat longer. The people standing there beheld it and struck with much fear said to each other: " Woe! Woe! What is this? What does that seem to be? Who will help us, unfortunate as we are? Who will deliver us? We are ignorant of how we have been deceived. Almighty God, have mercy on us. Let us, oh let us return. Let us prepare the covenant of Christ's Gospel, since we have been bitterly deceived." Behold, the feet of the aforementioned female image appeared to be white, giving out a brightness above that of the sun. I heard a voice from heaven saying to me: "Even though all things on earth are tending toward their end, so hardships and calamities is bowed down to its End, nevertheless, the Spouse of my Son, though much weakened in her children, will never be destroyed either by the heralds of the Son of Perdition or by the Destroyer himself, however much she will be attacked by them. At the End of time she will arise more powerful and more secure; she will appear more beautiful and shining so that she may go forth in this way more sweetly and more agreeably to the embraces of her Beloved. The vision which you saw signifies all this in mystic fashion."
(Scivias 3:11; Translated by B McGinn, Visions of the End, pp101-102)

Pope Benedict XVI had equated St. Hildegard's vision of the "filth" within the Church with the pedophile scandal that has ultimately led to a mass apostasy of lukewarm Catholics from the faith:

We were all the more dismayed, then, when in this year of all years and to a degree we could not have imagined, we came to know of abuse of minors committed by priests who twist the sacrament into its antithesis, and under the mantle of the sacred profoundly wound human persons in their childhood, damaging them for a whole lifetime.

In this context, a vision of Saint Hildegard of Bingen came to my mind, a vision which describes in a shocking way what we have lived through this past year. “In the year of our Lord’s incarnation 1170, I had been lying on my sick-bed for a long time when, fully conscious in body and in mind, I had a vision of a woman of such beauty that the human mind is unable to comprehend. She stretched in height from earth to heaven. Her face shone with exceeding brightness and her gaze was fixed on heaven. She was dressed in a dazzling robe of white silk and draped in a cloak, adorned with stones of great price. On her feet she wore shoes of onyx. But her face was stained with dust, her robe was ripped down the right side, her cloak had lost its sheen of beauty and her shoes had been blackened. And she herself, in a voice loud with sorrow, was calling to the heights of heaven, saying, ‘Hear, heaven, how my face is sullied; mourn, earth, that my robe is torn; tremble, abyss, because my shoes are blackened!’

And she continued: ‘I lay hidden in the heart of the Father until the Son of Man, who was conceived and born in virginity, poured out his blood. With that same blood as his dowry, he made me his betrothed.

For my Bridegroom’s wounds remain fresh and open as long as the wounds of men’s sins continue to gape. And Christ’s wounds remain open because of the sins of priests. They tear my robe, since they are violators of the Law, the Gospel and their own priesthood; they darken my cloak by neglecting, in every way, the precepts which they are meant to uphold; my shoes too are blackened, since priests do not keep to the straight paths of justice, which are hard and rugged, or set good examples to those beneath them. Nevertheless, in some of them I find the splendour of truth.’

And I heard a voice from heaven which said: ‘This image represents the Church. For this reason, O you who see all this and who listen to the word of lament, proclaim it to the priests who are destined to offer guidance and instruction to God’s people and to whom, as to the apostles, it was said: go into all the world and preach the Gospel to the whole creation’ (Mk 16:15)” (Letter to Werner von Kirchheim and his Priestly Community: PL 197, 269ff.).

In the vision of Saint Hildegard, the face of the Church is stained with dust, and this is how we have seen it. Her garment is torn – by the sins of priests. The way she saw and expressed it is the way we have experienced it this year. We must accept this humiliation as an exhortation to truth and a call to renewal. Only the truth saves. We must ask ourselves what we can do to repair as much as possible the injustice that has occurred. We must ask ourselves what was wrong in our proclamation, in our whole way of living the Christian life, to allow such a thing to happen. We must discover a new resoluteness in faith and in doing good. We must be capable of doing penance. We must be determined to make every possible effort in priestly formation to prevent anything of the kind from happening again. This is also the moment to offer heartfelt thanks to all those who work to help victims and to restore their trust in the Church, their capacity to believe her message. In my meetings with victims of this sin, I have also always found people who, with great dedication, stand alongside those who suffer and have been damaged. This is also the occasion to thank the many good priests who act as channels of the Lord’s goodness in humility and fidelity and, amid the devastations, bear witness to the unforfeited beauty of the priesthood.

Could this planetary alignment, coming so closely on the back of a great liturgical silence falling upon the Church during the Coronavirus pandemic, represent the closing of the Abyss and thus herald the ultimate reversal of the fortunes of the Bride of Christ? We can only hope and pray that the terrible stains that have sullied the garments of the Church during the unbinding of Satan will soon be cleansed, and that the Triumph of the Immaculate Heart of Mary promised at Fatima will restore Christ's Bride to her former glory. It is perhaps worth noting that St. Bonaventure had linked the restoration of the Church with a "time of quiet" before the coming of the Antichrist, which sounds remarkable similar to the "silence in heaven" at the opening of the seventh seal:

"no one knows how long that time of great peace will last since "when they said 'Peace and security,' then suddenly destruction came upon them" (Matt 24:21). The seventh time or age, that of quiet, begins with the shout of the angel who "swore through Him who lives forever and ever that there would be no more time; but in the days of the seventh angel the mystery of God will be completed" (Rev 10:6-7).
In the sixth age three things take place - excellence of victory, excellence of teaching, and excellence of the prophetic life.... In this age there ought to come a life through an order which will possess the prophetic life. This age is double. Just as in the Lord's Passion there was first light, then darkness, and then light, so it is necessary that first there be the light of teaching and that Josiah succeed Hezekiah, after which came the tribulation of the Jews through their captivity. It is necessary that one ruler, a defender of the Church, arise. He is either still to come or has already come. (He added: Would that he has not already come!) After him will come the darkness of tribulations..."

It was said to the angel of Philadelphia, the sixth angel: "He who is holy and true, who has the key of David, who opens and no man closes, closes and no man opens, says this - 'I know your works, and behold I have placed an open door before you'" (Rev 3:7). (And he said that now for the first time the understanding of Scripture would be given and that the revelation, or key of David, would be given to a person or a large group, but I think rather to a large group.)
In the seventh age we know that these things will take place - the rebuilding of the Temple, the restoration of the city, and the granting of peace. Likewise in the coming seventh age there will be a restoration of Divine worship and a rebuilding of the city. Then the prophecy of Ezekiel will be fulfilled when the city comes down from heaven (Ezek 40); not indeed that city which is above, but that city which is below, the Church Militant which will then be conformed to the Church Triumphant as far as possible in this life. Then will be the building and restoration of the city as it was in the beginning. Then there will be peace. God alone knows how long that peace shall last.
(St. Bonaventure, Collation 16:17-19. Translated by McGinn, B. Visions of the End, pp199-200)